This week sees the opening of this year’s Turner Prize exhibition. Opening to the public on Tuesday, the show promises to be just as controversial as expected given this years nominees (which you can read more about here), and has already been given mixed reviews by the press.
Exhibits include Josephine Pryde’s train which had been open for visitors to ride on at previous exhibitions, but sits stationary in the Tate due to “leaves on the line”. Anthea Hamilton’s “Project for a door”, this year’s “poster boy” for the Prize, is one of many dominating sculptures in the exhibition. With a title illustrative of the sculpture’s political statement, Michael Dean’s room full of pennies (“United Kingdom poverty line for two adults and two children: twenty thousand four hundred and thirty six pounds sterling as published on 1 September 2016.”) is another stand-out piece. The final nominee, Helen Marten, has further created works which prompt interaction with the gallery’s visitors by encouraging them to view her sculptures as if they were archaeologists, exploring the materials and discovering new insights.
This year’s Prize is open from Sep 27 – Jan 2 with the winner being announced on Dec 5.